Stafford, Symbol and Myth
“As demonstrated in Symbol and Myth, David Pierre Giottin Humbert de Superville’s (1770-1849) pioneering semiotics represented a systematic attempt to arrive at the ...
Continue Reading →Spuybroek, The Sympathy of Things
‘If there is one thing we can learn from John Ruskin, it is that each age must find its own way to beauty’ ...
Continue Reading →Soussloff, The Absolute Artist
The myth of the artist-genius has long had a unique hold on the imagination of Western culture. Iconoclastic, temperamental, and free from the ...
Continue Reading →Taws, The Politics of the Provisional
In revolutionary France the life of things could not be assured. War, shortage of materials, and frequent changes in political authority meant that ...
Continue Reading →Terpstra, Rose, Mapping Space Sense and Movement in Florence
Mapping Space, Sense, and Movement in Florence explores the potential of digital mapping or Historical GIS as a research and teaching tool to ...
Continue Reading →Tsiambaos, From Doxiadis Theory to Pikionis Work
In this book, Tsiambaos redefines the ground-breaking theory of Greek architect and town planner Constantinos A. Doxiadis (The Form of Space in Ancient ...
Continue Reading →Shearman, Only Connect
John Shearman makes a plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions ...
Continue Reading →Settis, The Future of the Classical
Every era has invented a different idea of the ‘classical’ to create its own identity. Thus the ‘classical’ does not concern only the ...
Continue Reading →Snyder, Writing the Scene of Speaking
The ‘rediscovery’ in sixteenth-century Italy of Aristotle’s Poetics marks a crucial moment in the development of Western thought about literature, for the flood ...
Continue Reading →Smith, Architecture in the Culture of Early Humanism
The impact of early Italian humanism on the development of Quattrocentro architecture has received much attention in recent years. In these essays, Smith ...
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