Some of the most significant currents in modern intellectual and cultural history pass by way of Mary Shelley’s Frankenstein (1816). By choosing in ...
Continue Reading →Initially published by Penn State Press in 1965, Catherine Enggass’s translation of Filippo Baldinucci’s Life of Bernini was the first English-language edition of ...
Continue Reading →Issued in conjunction with a 2016 exhibition of this sculptor rendered by Italian Baroque sculptor Gian Lorenzo Bernini (1598-1680) and his father, Pietro ...
Continue Reading →Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture ...
Continue Reading →Ramble, Linger, and Gaze explores a method of architectural research based on narrative dialogue and examines the garden theories and liteÂrary garden representations ...
Continue Reading →The end of the millennium has always held the world in fear of earthquakes, plague, and the catastrophic destruction of the world. At ...
Continue Reading →Originally published in 1984, The Clothing of Clio is concerned with the wide variety of ways in which the past was represented in ...
Continue Reading →Engineering the Revolution documents the forging of a new relationship between technology and politics in Revolutionary France, and the inauguration of a distinctively ...
Continue Reading →Philibert de l’Orme was a French architect and writer, and one of the great masters of the French Renaissance. In the 17th century, ...
Continue Reading →Die Platzkonzeptionen der Frühen Neuzeit sind aufgrund ihrer komplexen axialen Bezüglichkeiten beispielhaft dazu geeignet, den sinnlich erfahrbaren, symbolischen Gehalt ihrer räumlichen Anordnungen erkennen ...
Continue Reading →