van Tuinen, Art History after Deleuze and Guattari
Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts ...
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The Art of Gerhard Richter: Hermeneutics, Images, Meaning presents the first philosophical investigation of, arguably, one of the most popular and important painters working today, ...
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In light of current discourses on AI and robotics, what do the various experiences of art contribute to the rethinking of technology today? Charting a ...
Continue Reading →Danto, After the End of Art
A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ...
Continue Reading →Barthes, Camera Lucida
A graceful, contemplative volume, Camera Lucida was first published in 1979. Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Roland Barthes presents photography ...
Continue Reading →Holen, Etops Headache
Yngve Holen’s fourth ETOPS magazine “Headache” is concentrated on neuroscience and has been edited together with Matthew Evans. Technologies that enable humans to travel, to ...
Continue Reading →Knight, An Inquiry into the Symbolical Language of Ancient Art and Mythology
This influential work of 1818 by dilettante and critic Richard Payne Knight (1751-1824) has stood the test of time. The study investigates the ...
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Spence, Polymetis or an Enquiry concerning the Agreement Between the Works of the Roman Poets and the Remains of the Antient Artists
The first edition had been published in 1747 (after lengthy preparation – Spence had assembled preparatory material during his first visit to Italy). ...
Continue Reading →Quincy, Letters to Miranda and Canova
In the 1790s and early 1800s, the art world experienced two big events: First came the military confiscation of masterpieces from Italy and ...
Continue Reading →Francastel, Art and Technology in the Nineteenth and Twentieth Centuries
Although the work of Pierre Francastel (1900-1970) has long carried the label “sociology of art,” it bears little resemblance to anything conventionally sociological. ...
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