Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture ...
Continue Reading →Ramble, Linger, and Gaze explores a method of architectural research based on narrative dialogue and examines the garden theories and liteÂrary garden representations ...
Continue Reading →The end of the millennium has always held the world in fear of earthquakes, plague, and the catastrophic destruction of the world. At ...
Continue Reading →Originally published in 1984, The Clothing of Clio is concerned with the wide variety of ways in which the past was represented in ...
Continue Reading →Engineering the Revolution documents the forging of a new relationship between technology and politics in Revolutionary France, and the inauguration of a distinctively ...
Continue Reading →Philibert de l’Orme was a French architect and writer, and one of the great masters of the French Renaissance. In the 17th century, ...
Continue Reading →Die Platzkonzeptionen der Frühen Neuzeit sind aufgrund ihrer komplexen axialen Bezüglichkeiten beispielhaft dazu geeignet, den sinnlich erfahrbaren, symbolischen Gehalt ihrer räumlichen Anordnungen erkennen ...
Continue Reading →In sixteenth-century Venice, paintings were often treated as living beings. As this book shows, paintings attended dinner parties, healed the sick, made money, ...
Continue Reading →Bernini and Pallavicino, the artist and the Jesuit cardinal, are closely related figures at the papal courts of Urban VIII and Alexander VII, ...
Continue Reading →Style is one of the oldest and most powerful analytic tools available to art writers. Despite the importance of style as an artistic, ...
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