Sontag, On Photography
One of the most highly regarded books of its kind, On Photography first appeared in 1977 and is described by its author as “a progress ...
Continue Reading →Barthes, Camera Lucida
A graceful, contemplative volume, Camera Lucida was first published in 1979. Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Roland Barthes presents photography ...
Continue Reading →Panofsky, Perspective as Symbolic Form
Erwin Panofsky’s Perspective as Symbolic Form is one of the great works of modern intellectual history, the legendary text that has dominated all art-historical and ...
Continue Reading →Knight, An Inquiry into the Symbolical Language of Ancient Art and Mythology
“Intended to be prefixed to the Second Volume of the ‘Select Specimens of Ancient Sculpture,’ published by the Society of Dilettanti; but the ...
Continue Reading →Sanouillet, The Writings of Marcel Duchamp
In the twenties, Surrealists proclaimed that words had stopped playing around and had begun to make love. Nowhere is this more apparent than ...
Continue Reading →Kandinsky, Concerning the Spiritual in Art
A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most ...
Continue Reading →Jacquette, Schopenhauer and the Aesthetics of Creativity
Schopenhauer’s account of the artistic process is an early contribution to the study of creativity. This account extends his analysis of art beyond ...
Continue Reading →Zimmerman, Photographic Architecture in the Twentieth Century
One hundred years ago, architects found in the medium of photography—so good at representing a building’s lines and planes—a necessary way to promote ...
Continue Reading →Etlin, In Defense of Humanism
In Defense of Humanism: Value in the Arts and Letters is a response to the critique of traditional humanism. In simple, clear language, ...
Continue Reading →Winckelmann, On Art Architecture and Archaeology
Johann Joachim Winckelmann (1717-68) has long been recognized as one of the founders of modern art history and a major force in the ...
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