Steiner, Language and Silence
The evolution and manipulation of language from the celebrated author of After Babel. “A keenly discriminating literary mind at work on what it loves” (The ...
Continue Reading →Kermode, Romantic Image
For the past four decades Frank Kermode, critic and writer, has steadily established himself as one of the most brilliant minds of his generation. Questioning ...
Continue Reading →Kermode, Pleasure and Change
The question of the canon has been the subject of debate in academic circles for over fifteen years. Pleasure and Change contains two lectures on ...
Continue Reading →Kermode, Forms of Attention
Sir Frank Kermode, the British scholar, instructor, and author, was an inspired critic. Forms of Attention is based on a series of three lectures he ...
Continue Reading →Coles, The Sacred Object
This paper examines the relationship between critical reading and the critical object in the work of Canadian poet and essayist Anne Carson, primarily the texts ...
Continue Reading →Bennett, Influx and Efflux: Writing Up with Walt Whitman
In influx & efflux Jane Bennett pursues a question that was bracketed in her book Vibrant Matter: how to think about human agency in a ...
Continue Reading →Carter, Shaking A Leg
One of contemporary literature’s most original and affecting fiction writers, Angela Carter also wrote brilliant nonfiction. Shaking a Leg comprises the best of her essays ...
Continue Reading →Cixous, Mother Homer Is Dead
Hélène Cixous chronicles the last six months of her mother’s life, transgressing the mother-daughter relation in the experience of dying Mother Homer is Dead was ...
Continue Reading →Perloff, Wittgenstein’s Ladder
Marjorie Perloff, among our foremost critics of twentieth-century poetry, argues that Ludwig Wittgenstein provided writers with a radical new aesthetic, a key to recognizing the ...
Continue Reading →Clune, Judgement and Equality
Michael W. Clune is an American writer and critic. His creative and critical writing has appeared in Harper’s, Salon, Granta, PMLA, the New Yorker, and ...
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