We like to imagine ourselves as rational beings who think and speak, yet to live means first and foremost to look, taste, feel, ...
Continue Reading →This book makes available for the first time in English and for the first time in its entirety in any language an important ...
Continue Reading →Following the invention of the daguerreotype and calotype processes in 1839, views of ruins, classical statuary, and the antiquities of the Mediterranean and ...
Continue Reading →This learned and heavy volume should be placed on the shelves of every art historical library. It makes accessible, for the first time ...
Continue Reading →This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century ...
Continue Reading →What does the city’s form actually mean to the people who live there? What can the city planner do to make the city’s ...
Continue Reading →Art historians have in the past narrowly defined primitivism, limiting their inquiry to examples of direct stylistic borrowing from African, Oceanic, or Native ...
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