Colvin, Unbuilt Oxford
Oxford is a place in which we are exceptionally well placed to study this phenomenon, partly because college and university archives have been ...
Continue Reading →Casey, Decorative Plasterwork in Ireland and Europe
Sumptuous plasterwork ornament is a celebrated and distinctive feature of Ireland’s 18th-century domestic architecture. Migrant craftsmen brought the modeling skills and decorative forms ...
Continue Reading →Carpo, The Second Digital Turn
The first digital turn in architecture changed our ways of making; the second changes our ways of thinking.Almost a generation ago, the early ...
Continue Reading →Carpo, The Alphabet and the Algorithm
The rise and fall of identical copies: digital technologies and form-making from mass customization to mass collaboration. Digital technologies have changed architecture– the ...
Continue Reading →Calvino, Invisible Cities
“Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their ...
Continue Reading →Carpo, Architecture in the Age of Printing
A history of the influence of communication technologies on Western architectural theory. The discipline of architecture depends on the transmission in space and ...
Continue Reading →Bolzoni, The Gallery of Memory
Lina Bolzoni’s impressive study of the memory culture of sixteenth-century Italy appears here for the first time in English translation. Since its original ...
Continue Reading →Burke, Hybrid Renaissance
Hybrid Renaissance introduces the idea that the Renaissance in Italy, elsewhere in Europe, and in the world beyond Europe is an example of ...
Continue Reading →Cache, Projectiles
A split between modern and historical realities – whether real, imagined, projected or fantasised – has long configured modern architectural culture. The very ...
Continue Reading →Durand, Précis of the Lectures on Architecture
Jean-Nicolas-Louis Durand (1760–1834) regarded the Précis of the Lectures on Architecture (1802–5) and its companion volume, the Graphic Portion (1821), as both a ...
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