Levy, Baroque and the Political Language of Formalism (1845 Р1945): Burckhardt, W̦lfflin, Gurlitt, Brinckmann, Sedlmayr
This study in intellectual history places the art historical concept of the Baroque amidst world events, political thought, and the political views of ...
Continue Reading →Brown, The Genius of Rome 1592-1623
At the close of the 16th century, Europe’s most talented painters flocked to Rome, the Eternal City, to execute commissions for popes, princes, ...
Continue Reading →Tschudi, Baroque Antiquity
Why were seventeenth-century antiquarians so spectacularly wrong? Even if they knew what ancient monuments looked like, they deliberately distorted the representation of them ...
Continue Reading →Sohm, Style in the Art Theory of Early Modern Italy
Style is one of the oldest and most powerful analytic tools available to art writers. Despite the importance of style as an artistic, ...
Continue Reading →Van Eck, British Architectural Theory 1540-1750
Although it is often assumed that British writing on architectural theory really started in the 18th century, there is in fact a large ...
Continue Reading →Rinne, The Waters of Rome
In this pioneering study of the water infrastructure of Renaissance Rome, urban historian Katherine Rinne offers a new understanding of how technological and ...
Continue Reading →Montagu, Roman Baroque Sculpture
Draws on contemporary biographies and a wealth of hitherto unpublished archival material to illuminate the position and practice of the Baroque sculptor, to ...
Continue Reading →Montagu, The Aesthetics of Roman Eighteenth Century Sculpture
Few art historians would dispute that Jennifer Montagu is one of the most distinguished scholars of Italian (mostly Roman) Baroque sculpture. Besides her ...
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Levy, Propaganda and the Jesuit Baroque
In this provocative revisionist work, Evonne Levy brings fresh theoretical perspectives to the study of the “propagandistic” art and architecture of the Jesuit ...
Continue Reading →Hauser, The Social History of Art, Volume II
First published in 1951, Arnold Hausers work presents an account of the development and meaning of art from its origins in the Stone ...
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